Location Of My Ovaries

First week

First, good news.

I am no longer overshoot. My colleagues and I received the news that the number of students in kindergarten (all in overshoot) would justify the initiation of another class. My list comes at a most enjoyable and I no longer have to search where I can comfortably put those few children "more" in my already crowded locker room. I was seriously considering the idea of installing a mezzanine ...

Starting next week, we redo the groups. It is flat for children who are displaced, and although they saw that we have five hours in total since Thursday, still is it that they began to focus. We were careful not to move but the weakest of them. Better now than later, but it would be much better if the employment process allowed to immediately find the person who will be their teacher for the year, pending the posting, Children should have an alternate. Hope that the alternate will not go running after one day, and that the administration will not manage the thing from day to day substitute. Otherwise, hello substitutes ball!

I loved my first contact with the children who make up my class. I've never seen a class that, earlier this year, was quiet enough to allow me to complete the usual paperwork without my having to intervene. Even people who came to support or get the papers were amazed. They were seated, and whispered simply. Although the overshoot was not ideal either for them or for me, I struggled to tell from where I left for another class.

Already I know which ones are most eras by life, which are the most on, which are the most cabbage worm, which are the most confrontational, which are most sensitive to caregivers and others, which have the greatest need support.

I can not wait to return Monday:)

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Tired.

Burned

I hung posters, set and moved my tables, placed and moved my cabinets, all the identified effects of the pupils, moved furniture, placed then moved and then replaced the computer, moved my boxes and packed my bags, placed my space prof.

Burned. And evil "Reinke" bonus.

Tomorrow? Meeting and about the same routine.

Is what I told you I was burned?

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Day Two Day One!

It was still successful.

I met my direction, always friendly (for real, it's a charming work with this person) my colleagues in the preschool, which are all quite happy to see me. Then, meet all other colleagues (who are quite happy see me and especially to see that I have had this replacement).

the menu? Staff work and meetings. The problem is that my personal work was summarized in imagining the possible development and try to put as much furniture as possible by myself. I was lucky that the big tents were heavy on wheels! The rest, too heavy, still in the middle, preventing me from completing my class to develop. The caretaker running around, I had thought to ask, what is not done yet. Tomorrow I'll see him again. And guess what

CD inaugurated the opening of my class ... Oryol forbidden to answer: P Oh ...

and hope with me that there were some moves this summer or that several were added to open a third kindergarten class because I'm more than passing on paper! Ge-ni-al. Especially with a pseudo progressive entry. No. .. no ... I will not go over there. I just put the following link:)

The progressive entry into kindergarten

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a dodo!

V! Vi!

I still have a dodo ... it's been a week since I'm counting the sleeps, like a large, seven, six, five, four, three, two ... and now!

My bag is ready, my boxes are ready (wow, I have FINALLY boxes too!) my lunch is ready, I'm ready!

I still just do dodo ... not right away, you still have to enjoy the last hours of vacation for the summer my vice: Twitter and the New Kids On The Block (I say my vice, because without the New Kids I would not be on Twitter).

Tomorrow, lunch meeting, then to work. I have many questions to my colleague, especially as it relates to the return of students. Will it progressive, organized, already institutionalized, surveillance, etc.. Probably I will start putting the room (hope that furniture will not all be in the same corner, it would help!)

Oh, by the way, did you understand that I can not wait to take possession of my prize bingo?

;) Welcome back dear fellow!

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Juliette Greco: "I feel a boundless admiration for jazz" Sacred

Juliette Greco has split Aug. 2 with a triumphant concert on his fifth pass at the Francofolies de Montréal. Caught by Gerard Jouannest piano (her husband), and accordionist Jean-Loup Matinier, singer, facing a room magnetized, paid tribute to Brel (5 masterpieces), in Ferré (2), to Gainsbourg (2), and finally to a slew of contemporary composers. The charm of the former girlfriend of Miles Davis has not lost an atom. Treatment very Staff timeless songs ("Do not leave me ", "I come " by Jacques Brel and Gerard Jouannest, "Av ec Time " Leo Ferré) liberties with his original scores, the close to both slammers today and jazz forever. I wanted to know what the show kept as a legacy of Jazz figures. Back to the days when Saint-Germain-des-Pres was muse to the girl dressed in black, who wanted " transform pain into beauty .

INTERVIEW JULIETTE GRECO

Bruno Pfeiffer : Several standing ovations ... What is the secret of fishing 82 years?

Juliette Greco: Nothing complicated. I practice for sixty years exactly the same job: interpreter. The show, these are words and songs. I try to be light in serving the compositions of others. I am fighting for that poetry exists in the street. The public sent me something very good last night. When I arrive in Montreal, I feel like I landed in a France youth. I wanted to shake the hands of people who flocked to the scene during callbacks. Impossible: I am moving with difficulty, due to a problem with your toes.

Some interpretations, some emphases differ considerably from the original.

happy again! When Brel singing "Ne me quitte pas ", he appeared resigned, crybaby. I rageais! I disagree with his acceptance of defeat. This decline makes me beside myself. I mark my anger. The tone that I print the song is thus clear: "You are wrong leave me. You'll see: you're gonna drool . This lavish on music Jouannest because I feel more comfortable on rich arpeggios.

You inspire the side " improviser " Jazz?

I never dared. I love Jazz. However, I do not seek inspiration in the depths of this great African-American culture. J'insuffle a personal brand to pieces. What I am. All I can. As possible. However, everyone I love swimming in the music. I feel a boundless admiration for jazz.

Boris Vian? What

be wonderful! It was beautiful. From a physical beauty, at first, with its celadon green skin. Being the tenderest, sweetest, most attentive I've encountered. He had a huge heart. It gave off a finesse, intelligence ... and ferocity of a child. I looked like my older brother. He served as a psychiatrist. It helped me a lot. Effectively. I did not want to speak from the Occupation. It made my life after the Liberation. It got me out of a prison interior. The pill would have failed to voluntarily take on the day of his death? I do not believe it. It is rather died of rabies.

The Deserter?

Huge song. I never missed an opportunity to sing. Yet it was at risk at the time. I resume the compilation produced by Olivier Nuc (" We're not there to be yelled "), released in June (at Universal). I almost held to recite, because of the peace that emanates from it. Analysts pose as the anti-militaristic anthem. My opinion differs. I think Boris gives voice to a lowly peasant who does not want to offend the president but refuses to be killed and kill others. It perceives its language. The guy simply said "No to war . I have suffered too much, the war is shit." The text is an admirable purity. Nuc had proposed other new songs. I wonder if some who were assigned thereafter are his hand Vian. The claw of my Boris, I know her among a thousand.

Vian is that you initiated the Jazz?

No, already listened to radio classics like Walk Lambeth before the war.

Why not be coming to Pleyel June 23 to celebrate the anniversary of his death? You would have been the Queen of the night.

All these young singers deserved to rule the night. Me, stupidly, I was not there.

Duke Ellington?

Magnificent. Not my idol, though. Do not make me draw up a hit parade, I put all the jazzmen to equality. Unless Miles Davis. He's the best. I located at the top. It's my life.

Tell us the encounter with Miles Davis.

We were both very young. He played to Pleyel. I was broke. Boris's wife, Michelle Vian, had brought in the backstage. I saw this guy in profile. Beautiful face. He played either on a concave or so convex. Backward, then forward. Most discussed. Bizarre. I felt a harmony between the character, gestures, and the sound of the trumpet. No need to be graduated to feel he was playing in the big leagues. We went out dinner band. I did not speak his language, nor he mine. And now ... the miracle of love! I could try to sing with him. But I had no taste standards. Why, moreover, while large vocalists like Ella Fitzgerald, would have made a thousand times better than me?

Miles has come to one of your recital?

Yes, much later, in New York. The production had selected a suite at the Waldorf-Astoria. He came to dine with me at the restaurant at the top of the building. So I do not look like a hooker with a Black man, he brought the pianist John Lewis with his two children. They have been through an ordeal in the elevator. I can not tell you mine defeat of Butler when the group entered. The boy took two hours before we serve the dishes, and again, the word is not used, they almost had us swaying in his mouth, as if they were dogs that would bite. Miles could not stand that I watch these scenes of racism. His country made him ashamed. I have fond memories of this painful episode. I think that's why he did not want me to join the USA.

Like you, Miles has frequently given their chance in life at the end of his career ...

course. But competition in the song is terrible. Going to defend that of a youngster behind "Pretty same" or " Matilda".

J ' yet have the impression that you feel more at ease last night with worms slams.

(On a confidential tone, borrowing a conspiratorial air).

Do not repeat it: it is easier ...

Bruno Pfeiffer

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Juliet

Thursday evening, Abd Al Malik ignited the Festival of Ramatuelle. For 25 years, this cultural event created by Jean-Claude Brialy and the artistic direction was entrusted to Michel Boujenah, hit hard. The singer, as Le Parisien calls this morning from "wizard of words and music", gave an interview in Var-Matin, interview with a large cross accomplice Juliette Greco.

Abd Al Malik, who signed two papers on the latest album from the great and Juliet even had the privilege to sing a duet with her Romeo and Juliet on her own album - song they performed together on Thursday evening - has a real passion for it.

Artistically, they are similar and have in common not to practice the language of wood, although this time the singer has taken a clear advantage.

asked about the disappearance of Michael Jackson , Juliet replies, "It was broken, broken. But he is not to be loaded, is his father. An absolute monster who has to world and at the same time killed him ... He finally regained his lost childhood, but it is not no Peter Pan pay dearly. "Abd Al Malik, meanwhile, plays the softer:" He brought a lot of music and opening. In this sense it is a loss. "

Juliette Greco then returns to the lineup of Festival of Ramatuelle, admits that during his lifetime Brialy would probably never chosen as an artist Abd Al Malik and when the reporter said that the actor had "dared to open" by involving Faudel few years ago, the singer replied bluntly before triggering a mad laughing: "Yes but Faudel, it sucks anyway!"

That is, it happened ... Poor Faudel, but sacred Juliette

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Jean-Paul Roussillon, from Molière to Chekhov

L e actor Jean-Paul Roussillon died in the night from Thursday to Friday at the age of 79 years, have we learned from the French comedy that He was an honorary member. The Minister of Culture Frederic Mitterrand paid tribute to a "great actor", won three Molière and who this year received a César for her role in "A Christmas Carol."

Jean-Paul Roussillon, a stage director, had interpreted a hundred parts since the beginning of his career.

Born in 1931, Jean-Paul Roussillon, whose father worked as director of the French comedy scene, had played his first play, "The Song of Songs", at the age of 14.

After studying at the National Conservatory of Dramatic Art, he became a resident at the French comedy in 1950 after receiving the Best Actress Award for her role in "Ardele or Marguerite" by Jean Anouilh.

In January 1960, Jean-Paul Roussillon is a member of the troupe and interprets the iconic Scapin, or Puck in "The Dream of a Summer Night" by Shakespeare. In 1962, he signed his first production with "The Unexpected Return" by Jean François Regnard, then "The Doctor despite himself" by Molière in 1968 and especially "The Miser" by Molière, in 1973 that "his vision of The work on stage will create quite a stir and enthusiasm, "said the French comedy.

At 51, he became an honorary member, while continuing to stage for the French Comedy. He interprets Koch, in "West Pier" by Bernard-Marie Koltes, created in a staging by Patrice Chéreau production with the Theatre of Almond Nanterre in 1986.

Jean-Paul Roussillon had been awarded three Molière, the rewards of the theater in 1991, 1996 and 2002. Also invited to the cinema, this year he received the Cesar for Best Actor in a Supporting Role for "A Christmas Tale" Arnaud Depleschin where he was married to Catherine Deneuve.

He had played his last theater role in "The Cherry Orchard" by Anton Chekhov at the National Theatre on the Hill last spring. "He played so overwhelming role of a man who sees his life go," said Minister of Culture Frederick Mitterrand. "It was one of those that may be required in all registers by the sheer force of presence, a business wholly owned, and very often transcended by grace", he praised in a statement.

The director of the French comedy, Muriel Mayette, said for his part, Jean-Paul Roussillon had "revolutionized the staging" in the late 1960s. "He put a gravity in the comedies of Molière, the game became truer, deeper, more psychological," she told The Associated Press.

"It was a great director of actors and a great actor of his generation. He was an actor of texts. He never made a personal number, "she also said, paying tribute to the husband of Catherine Ferran, also an honorary member of the French comedy, and" fellow traveler "by Michel Aumont.